Artist Statement

As a painter, I work through doing. My practice is rooted in experimentation and research, driven by a sustained desire to move toward the unknown. The works are born through the tension between organic elements and saturated chromatic fields that compress and destabilize spatial perception. Within these shifting structures, surface, rhythm, and composition remain in constant flow.

Painting, for me, is a layered process that unfolds over time through intuition and constant revision. I approach painting as a field of construction and undoing, where compositions are continuously made and unmade. Each work develops through the tension between accumulation and erasure, guided less by logic than by instinct and sensitivity to the process of painting itself.

Images, colors, and forms appear in a fragmented, oneiric way, closer to the language of dreams than to representation. They resist fixed meaning, remaining in a state of suspension and emergence.

Color is central to my practice not as a system, but as a perceptual and material force. It carries weight and presence, structuring the painting.

What is important to me is that a kind of “kidnapping” occurs: a moment in which the painting transports the viewer elsewhere into another place, another state of perception even if only briefly.

My paintings are not representations, but experiences. Through color, gesture, and form, they invite the viewer into a broader and more open dialogue.